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1月3日

Striped Water Poets

Striped Water Poets

“Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.”T. S. Eliot

On September 18th 2007 , Tuesday :

" Hi Suma, Hope you are well. Did you want to come to SWP tonight? I am also offering to drive John Williams and will have to adjest our time accordingly, " writes Lana, a wonderful poet and my great friend.

I reply, "Hi Lana, Yes, I'll join you to SWP tonight. Let me know what time you can make it home. I haven't met John Williams before, but it would be nice to hear him read. "

How sweet of her to give me a ride all the way from Woodinville to Auburn every week!

SWP is the abbreviated form of Striped Water Poets. We are a group of poets
who meet every Tuesday at 7 pm in Auburn and have a friendly round table critique group meeting.

The poems discussed have great variety and spring with strong emotions in daring voices. The members of SWP come from all walks of life and are open to poems of any subject under the sky from political conflicts to love poems, free verse to forms and Haiku.

The lead facilitator is Gerald Mcbreen who writes stunning romantic poems. He always keeps things on track and gets to the business of running Striped Water Poets. Every week, there is a different facilitator and the poets take turns to facilitate and run the meeting.

The members of Striped Water Poets were also featured in Auburn City Hall, during Auburn Good Old Days Festival, where we read out our poems for everyone to hear.

I am one of the newest members of Striped Water poets and I’ve found the critique group meetings very helpful. The regular meetings provide in-depth discussions and give a real boost. It is surely worth our time and at the same time enjoyable.

If you love to read, write and discuss poetry, this is a wonderful environment that would support your interest. Even if you don’t have a poem to share, you could just observe, listen and share your opinions. You can give constructive feedback and support the poets.

Striped Water Poets is an excellent group that can relate to these words of Robert Frost, “Poetry is when an emotion has found its thought and the thought has found words.”

9月17日

3:15 experiment

 

It was the night of 31st July when it began. I set the alarm of my clock to 3:15 am like many others who participated in the experiment from different parts of the world. "How am I going to carry it forward? " I thought, knowing how lazy I'd been for a long time, "How am I going to wake up to the alarm, and force myself out of the warm comforter, follow the trail upstairs and start writing a poem? " I shrugged , not thinking about it anymore and sunk into the silk pillow on our king-size pine bed.

Before I knew, it was 3:15 am. The alarm rang, and my husband pressed my shoulder with his eyes closed. I turned on the lamp on my pine side-table and slipped out the bed, sped upstairs, sat on the chair, grabbed the notepad and scribbled with the pencil on the writing table.

3.15 am
1st August


Between sleeps


Don’t touch me with your
savage hand
Don’t Don’t
play the strings of veena
running your finger
on the confusing lines in my palm
or squeezing me in those hidden places.
It is going to be sunrise soon,
and I want to close my eyes just one more time

I’d just sleep, sleep and sleep
under the plush blanket ,
my head resting on the silk pillow
to get back to that unfinished dream
and relive it just one more time.

please don’t touch me.


"Not bad for a poem between sleeps," I thought.

And the experiment continued for 3o more nights....I could complete a long, pending manuscript and also make drafts of some first poems.

Some days, my eyelids refused to give in and I wouldn't know what I wrote on the plain, white page on the notepad.
Some days, I would've written something that I would love to read to someone.

On the whole, it was an experience, worth taking and it was just amazing to see how people who lived in different parts of the world, and worked from different time-zones could come together and pursue an experiment with the same purpose.

In a world where we see the showbiz of war and terror, night and day on TV, here were people who didn't mingle on a pizza in an Italian restaurant or coffee in Starbucks, but, instead, huddled together in the middle of the night, screaming their minds on the computer, on a piece of paper, on a notepad with their pens, pencils and keyboards. It's a different kind of togetherness which may seem totally alien, totally unique, but it's the togetherness of poets sneaking up on time in their own spaces. We jumped off cliffs, built our wings, flew past oceans and hung out together!

For more on the 3:15 experiment, and to read my scribblings visit the website of the hosts :

http://315.monkeystyping.org/ 

7月25日

A love poem from Old India

 

A poem by Shilabhattarika, translated by Andrew Schelling

the cane groves of Narmada river


Nights of jasmine and thunder,
torn petals,
wind in the tangled kadamba trees---
nothing has changed.

Spring comes again and we've
simply grown older.
In the cane groves of Narmada River
he deflowered my
girlhood before we were
married.
And I grieve for those far-away nights
we played at love
by the water. 

7月21日

A poem by Thomas Hubbard

A poem by Thomas Hubbard

To Be, Or Not to Be
- By Thomas Hubbard


To be an American Indian
you must trace ancestors
clear back to the roots, the authorities tell me.
You must produce the papers, official papers,
birth records, government records.
Records, that is, of the invaders' government.

Records of that same government which
forced natives off their land,
crushed tribes, ruined habitat,
spread disease and pollutions,
tore apart families, broke treaties and
wrote it all down in their crooked history.

They say I need records from that same government which
captured families halfway around the world and
brought them here, no matter how many were lost at sea, and
enslaved them, sometimes worked them to death,
sold off their mates and children and then
bragged about "...this country is built on our hard work."

They suggest I seek out church records,
records of that religion which set out to
destroy American Indian culture, and customarily
beat American Indian children for speaking their own language
in those schools where they made native kids
into god-fearing Christians.

They say that for me to be a legitimate American Indian,
I must dig up my roots for government inspection,
to show that my ancestors surrendered to the invaders and
obeyed the invaders' new laws, reporting weddings and births
to those same racist invaders who pretended piety and
looked upon American Indians as less than human.

Trouble is,
the invader' government and
all its records
have nothing
to do with
my roots.

My roots
live in the earth
in the past, and
I had rather stay
renegade than
dig up my roots.

6月28日

A poem by Stephen Dunn

Five Roses in the Morning
- Stephen Dunn


March 16, 2003

On TV the showbiz of war,
so I turn it off
wishing I could turn it off,
and glance at the five white roses
in front of the mirror on the mantel,
looking like ten.
That they were purchased out of love
and are not bloody red
won't change a goddammned thing ---
goddamned things, it seems, multiplying
everyday. Last night
the roses numbered six, but she chose
to wear one in her hair
and she was more beautiful
because she believed she was.
It changed the night, a little.
For us, I mean.

Feedback

To turn interesting ideas into writing that continues to evolve for years requires a lot of discipline...Sometimes we write, we make mistakes. It is best to admit them quickly and get on with improving our other writing. Writers who do this kind of writing work are the moving force behind generations. My job is to create this space for that opportunity, to clear out the rest of the opinionated thoughts and keep it at bay.

A poem by John Keats

When I Have Fears That I May Cease To Be

- By JOHN KEATS



“Poetry is Greek and Latin to me,” said one of my friends once. He did not open a single page of the book I presented to him. As adults, we sometimes abandon this talent and enter the spirit of playing games, designing software, searching money stocks, assuming that poetry is irrelevant. We enter into a temporary world, where we jump with joy at a match of cricket, or get carried away by a friend’s funny experience. According to Psychologist and scholar, James Hillman, each of us is born with an ‘accorn’ or image of our calling and we spend our lives unfolding towards it and driven by it. Hillman says, that a daimon (described in Plato’s Republic) comes to earth with each of us, assigned to see that we fulfill our purpose and live our pattern. But sometimes, there exists a conflict between living sensible and living for the moment. The following poem is a Shakespearean sonnet, by John Keats and is based on such a theme. John Keats (1795-1821), was an English lyric poet, who was regarded as the epitome of the Romantic writer. Keats was born in London on October 31, 1795 as the son of a livery-stable manager. His first book, Poems, was published in 1817. Some of his greatest works were written in the late 1810s, like "Lamia", "The Eve of St. Agnes", the great odes including "Ode to a Nightingale", Ode To Autumn" and "Ode on a Grecian Urn".


Lets now take a look at the Shakespearean sonnet in context.


When I Have Fears That I May Cease To Be

When I have fears that I may cease to be
Before my pen has glean’d my teeming brain
Before high piled books, in charact’ry
Hold like rich garners the full ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of reflecting love --- then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.


In this poem, Keats lists the things that he believes gives life meaning. He lists things that he would regret having not done if he had died. The poem describes the fear that the author holds inside himself, and as it progresses, the poem gets difficult for the speaker as it gets tougher to justify the fear to a universal situation, and finally he ends it on a note of defeat. Keats almost stands all alone, stranded at the end of the world, before death has even made such isolation necessary.

In Lines 1-4, Keats describes his fear of dying young, much before his chance of ‘harvesting’ the fruits of his labor for poetry.

In Lines 5-8, Keats describes philosophically, his romance for learning the riddle of his own existence. Although whether or not he lives ‘to trace their shadows’, or to realize the ‘truth’, he knows, he would not be able to uncover the mystery if he dies, and he will then die in sheer ignorance.

In Lines 9-12, Keats speaks of the love of his beloved, which he fears he will never experience after his death. He suggests that love has to have a ‘faery power’, ie., the power of fairies who are immortal. He fears he would lose it all.

In Lines 13-14, his fear of death leads to the ultimate question of Keats’ very own existence. He finds himself standing at the edge of the big, wide world, and the two things that he holds very important in life, ‘LOVE’ and ‘FAME’, dissolve into a space of vacuum or ‘nothingness’.

It is interesting that Keats, who also died at a young age of 26 in the year 1821, spoke about the fear that he would cease to be.

Reading this poem was a way of filling myself with the sounds of contemplation about life and death. Depressing as it was towards the end, where his sense of words communicated heightened experiences of the world, the thought sifted into another perspective of looking at things we like to do, or do with complete satisfaction, before one dies. And for poets, it would rather be, to write another poem. Why not write poetry, to create a world where we hear our voices sing tunes of a melody of words? Why not celebrate life and poetry, to experience depth, more than death? Why not just write poetry?
6月18日

A poem by Rabindranath Tagore

A poem by Rabindranath Tagore

Authorship
 
You say that father writes a lot of books,
but what he writes I don't understand.
He was reading to you all the evening,
but could you really make out what he meant?
What nice stories, mother, you can tell us!
Why can't father write like that, I wonder?
Did he never hear from his own mother
stories of giants and fairies and princesses?
Has he forgotten them all?
Often when he gets late for his bath
you have to go and call him an hundred times.
You wait and keep his dishes warm for him,
but he goes on writing and forgets.
Father always plays at making books.
If I ever go to play in father's room,
you come and call me,"What a naughty child!"
If I make the slightest noise you say,
"Don't you see that father's at his work?"
What is the fun of always writing and writing?
When I take up father's pen or pencil
and write upon his book just as he does,
- a,b,c,d,e,f,g,h,i, - why do you get cross
with me then, mother?
You never say a word when father writes.
When my father wates heaps and heaps of papers,
mother, you don't seem to mind at all.
But if I take only one sheet to make a boat with,
you say, "Child, how troublesome you are!"
What do you think of father's spoiling sheets and
sheets of paper with black marks all over on both sides?

 
6月13日

A Poem by Ted Kooser

A poem by Poet Laureate Ted Kooser

A Happy Birthday

This evening, I sat by
an open window

and read till the light
was gone and the book

was no more than a part
of the darkness.

I could easily have switched
on a lamp,

but I wanted to ride
this day down into night,

to sit alone and smooth
the unreadable page
with the pale gray ghost of my hand.


-- Ted Kooser U.S. Poet Laureate

5月19日

Writing to me

From Human Resource Management to poetry and short stories has indeed been a quantum leap for me in the last one and a half years. I have been writing for quite some time now and the whole experience is something that I really enjoy doing. I like getting up in the morning thinking about a poem. If no idea strikes, I’d write about how my day is and how I feel. I’d write stories. It has given me immense pleasure, and I feel a sense of satisfaction after my first draft.
And that’s not all, I seem to like going back to it every time, because it is not just a job- but an enjoyable job.
There are times when I finish one whole poem in an odd moment, and other times when I get caught up with a single word for many weeks. Writing hasn’t been easy. It has needed great concentration to read, and even more to write. My first efforts haven’t been always rewarding. Nevertheless, even the most layman work occasionally lifts into the distinct and different, and kindles a warm response inside me. And that is worth a great deal, despite what the literary market has become in the recent years. With all the contemporary plays and films, experimental writing, anti-realism, individualism and intellectualism, the literary market place has opened its arms to the increasing literary craftsmanship.
I’m enjoying this literary life, curling up with books, attending poetry readings, joining literature circles and societies and making wonderful friends who share similar interests. There are so many of them…Good poets and writers…who earn little or nothing from their efforts…but the pleasure of writing has been a sufficient reward.

The whole writing process is an exploration and Im surprised at where the journey has taken me. So I will just write and continue celebrating it.

As Gloria Steinem put it, “Writing is the only thing that, when I do it, I don’t feel I should be doing something else,” that is what writing is to me.